* What is the relationship between youth culture and popular music? * How have they evolved since the second world war? * What can we learn from a global perspective? In this lively and accessible text, Andy Bennett presents a comprehensive cultural, social and historical overview of post-war popular music genres, from rock 'n' roll and psychedelic pop, through punk and heavy m...(展开全部)

In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from...(展开全部)

An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way...(展开全部)

During the 1990s illegally imported compact discs, known as dakou CDs, flooded into China, opening up the music world to Chinese youth and inspiring them to experiment with new sounds and new lifestyles. Quickly, dakou became the label for a new generation of Chinese, a vibrant generation no longer tied to the Maoist past. Based on fifteen years of fieldwork in Beijing, Shangha...(展开全部)

The first comprehensive study of Chinese popular music in a Western language. Drawing on extensive interviews with singers, songwriters and critics, as well as cultural, sociological, musical, and textual analysis, the book portrays the disparate ways in which China's state-run popular music industry and burgeoning underground rock music subculture represented by Cui Jian have ...(展开全部)

英国作家、记者和撰稿人。三十年来专门从各个角度研究吸毒与成瘾以及摇滚、爵士和蓝调等流行音乐的关系。其作品包括为年轻人撰写的流行乐手的传记和同行评议的学术文章。他是MOJO 及其他英国杂志的固定撰稿人。目前担任英国毒品咨询慈善机构DrugScope 的通讯信息主管。 代表作有《杰克•布鲁斯：麻醉自己》（Jack Bruce : composing himself ）、《吉米• 亨德里克斯：电子吉普赛》（Jimi Hendrix: Electric Gypsy ）、《埃里克•克拉普顿：迷失蓝调》（Eric Clapton: lost inthe blues ）、《格雷汉姆•邦德：强大的幽灵》（Graham Bond: the mighty shadow ）、《亚历克西斯• 科纳传》（Alexis Korner :the biography ）、《陨落的明...(展开全部)

Just hearing a few notes from certain songs can bring a movie back to life—whether the Doors’ “The End” from Apocalypse Now, Simon and Garfunkel’s “Mrs. Robinson” in The Graduate, or John Williams’ scores to such blockbusters as Jaws, Star Wars, and Raiders of the Lost Ark. But what is the relationship between film and music—where does the film begin and the music end? Taking o...(展开全部)

Back on the job after an involuntary leave of absence, LAPD homicide detective Harry Bosch is ready for a challenge. But his first case is a little more than he bargained for. It starts with the body of a Hollywood producer in the trunk of a Rolls-Royce, shot twice in the head at close range - what looks like "trunk music," a Mafia hit. But the LAPD's organized crime unit i...(展开全部)